The rhythmic language of Ari Hoenig : a musical application of advanced rhythms

Abstract

Ari Hoenig is a jazz drummer and composer from New York City. He has collaborated with many of the world’s greatest jazz musicians and is known for his melodicism and his masterful application of complex rhythmic ideas on the drum set. This study will include an explanation of advanced rhythmic terms and devices, an exploration of Hoenig’s life and musical background, and an analysis of his playing and compositions. This thesis will analyze Ari Hoenig’s musical style with the goal of making advanced rhythmic ideas accessible to musicians. Musical examples will be taken from select live and studio recordings throughout his career. The performances that will be analyzed include Hoenig’s playing on the Charlie Parker composition “Cheryl,” his version of Max Roach’s piece “The Drum Also Waltzes,” “The Drum Also Fives,” followed by Hoenig’s compositions “The Painter” and “Condemnation.” Compositional analysis will be done on “Green Spleen” from Bert’s Playground, “Arrows and Loops” from Lines of Oppression, and “Condemnation” from The Painter and Tea for Three. Through this investigation, the thesis ultimately seeks to answer a few key questions: how does Hoenig hear and approach these complex rhythmic ideas; How does he make them sound musical; and finally, how can other musicians harness these techniques to enhance their own rhythmic language. Through the analysis and understanding of Hoenig’s use of advanced rhythmic devices, musicians can begin to comprehend and apply these concepts to their own playing, enriching their ability as musicians, composers, and arrangers.